Location

Collectively as a group we had a good idea of the criteria that the location had to have, yet we had not decided on a particular place. This created some problems when story boarding our thriller. Due to having an unknown location we could not base our thriller on any visual site. As a result of this we decided that our storyboard would have to be adjusted around the unidentified location. It was then decided that before the thriller was shot, it would benefit us to go location scouting, as this would allow us to have a strong idea of how and where each scene would be shot. It also gave us the opportunity to modify our storyboard before shooting; this would ensure no time was wasted when the filming was to be done. In addition this would benefit us as we would be able to shoot scenes several times, having to avoid reshooting if a problem was to occur. The variety also means we have the ability to mix and match with the type of angles and shots to achieve the best possible combination.
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On the 9th March, we went location scouting. We had decided to go to London as we believed that the city centre would be most appropriate for our thriller.
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We diversified from out story board when we found this shot. We believed that having the protagonist walk out of the car park whilst the camera tilts and follows them would flow better then our original idea. By hiding the identity of the protagonist there is an added build up in suspense since the viewer is being partially kept in the dark.

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We are hoping for the tilt to include the “Gherkin” building as it is a significantly well known building creating the feeling of actuality.
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The wide open space and high buildings will create a sense of isolation for the protagonist. Added with a shot that captures the empty crane will enhance how secluded the protagonist will be. By allowing the “Gherkin” building to still be in shot will show continuity.

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The CCTV cameras will give the impression that the protagonist is being watched. The tall buildings and use of long shot will emphasize how cut off the protagonist is from the rest of the world
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Our second location was Fenchurch Street; this unique location has a large surface area, high ceiling and various walk ways making it a perfect location. As there is a roof the weather will not be a huge issue for continuity. There is also a large amount of natural light coming through the roof meaning we wouldn’t have trouble being able to see the thriller. The walk ways and size of the buildings will enhance the isolation of the protagonist.
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Since the beginning of our thriller is concentrated around a phone box we decided to then search for a nearby telephone booth. We eventually came across one that was almost directly in-between our two locations. This was beneficial as it meant either location was viable for us.
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By Helen Daniel